Archive for May, 2012

How to Rock the Audience When They Least Expect It

Wednesday, May 23rd, 2012

This is a contributed guide by Nils at Bandologie. “It’s the story of a successful promotional concert me and my band did. The scene? 9:15am in a school break hall in front of shocked pupils.” If you have anything helpful to contribute to one of our sites, contact us here.

Heavy Metal Band

Here you can read about one of the most powerful independent music promotion events that I participated in.

At the age of 24, I became a product manager at the major record label BMG. Before that though, I used to play the drums in a heavy metal band for several years.

Like many musicians, we often tried to get local venues to allow us to gig. This though, wasn’t always easy. Most musicians almost beg club owners and bookers to play another gig, but there is a better way: While begging can work from time to time, the only solution to carry on getting gigs in the long run is to get a bigger audience to your concerts. Not easy I know, but true. As they say, “Don’t shoot the messenger”.
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How To Tour With A Band – Tips For Your First One

Monday, May 7th, 2012

This is a guest post from Jeff Fields of Allcases. If you have the knowledge to contribute to this site, find out how to write for us.

How To Tour With A Band

Three bass players and two vocalists later, you’ve finally put together something that resembles a tour-worthy band. Congratulations. Now all that remains is to tour the world, score a radio hit, and
live the rock star life, right? Not exactly.

If becoming a rock star was easy, everyone would do it. A huge radio hit is not out of the question, but for most bands, a lot of tours in vans are part of the long road to success.

I’m not here to tell you how to make great music. Chances are, you’ve got that down (And if you don’t, this blog post won’t help). What I can do is offer some useful tips to keep you playing together long enough to give yourself a shot.
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The Importance Of Investing In Your Music Education

Friday, May 4th, 2012

This is a post contributed by Coco O’Connor. If you think you’ll be able to provide a useful guide for a bunch of talented independent musicians, submit one here.

Invest In Your Music Career

As an artist who has self produced three CDs , had film / TV placements, and still performs on occasion, I’d like to share my thoughts on marketing music with Topspin and Nimbit, as well as the benefit of investing in some education as opposed to a new piece of gear.

From my personal experience, I found that Topspin has given me better results than Nimbit. I do not have a big email list or a boatload of fans on Facebook, nor do I have a big email list. And until I used the Topspin platform, I never sold a single ticket to any shows.

But just a few weeks ago, I did a pre-sale and sold 6 tickets. That was HUGE for me!
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How To Build A Drum Room For Beginners

Thursday, May 3rd, 2012

This is a guest post from Mike Sorensen of Acoustic Fields. If you have a music related guide that you feel will be useful to our readers, please submit them here.

How To Build A Drum Room For Beginners

If it gets to the stage where you’re making money from your music career, you may want to consider creating a rehearsal space to practice and record your music. There are two main things I’ve seen that can hinder bands:

  • Money issues. As in not having enough of it.
  • Finding a place to practice where everyone around doesn’t complain about the noise.

Rehearsal and recording studios can prove expensive to hire in the long run, and can be a real drain on band finances. As a result, a lot of bands look to set up their own space in a garage, an empty warehouse, or at the local railway arches.
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Do You Need A Manager For Your Music Career?

Wednesday, May 2nd, 2012

This is a guest post by Christine Infanger from Thirty Roses. Want to write for this site? Find out more here.

Why You Need A Music Manager

No matter your taste, everyone likes music. Perhaps some are more passionate about it than others, but everyone has a favorite song; a song which they relate to more than any other.

Music is a powerful, almost mythical force. And, while you often read and hear about the amazing talent of the men and women responsible for the sounds that mean so much to us all, we seldom hear about the people who make it possible for us to hear them; their managers.

It may sound like more than a slight exaggeration to say that without managers, we would never hear music. But if you know anything at all about how the music industry works, you know this isn’t much of a misstatement.
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Rap And Hip Hop Beat Making Theory

Tuesday, May 1st, 2012

This is a guest post by Marcel van Ling from Hot Beat Store, and a follow up to our beginners guide on how to product music. This lesson is more advanced. You can write for this site too.

Learning To Produce Hip Hop Instrumentals

Rap, Hip Hop and R&B beats are important for recording artists, and not hard to find on the internet. If you do a Google search for ‘hip hop beats’ for example, you’ll get hundreds of websites offering them for your use.

Beats, or instrumentals as they’re also known, are musical arrangements without the vocals. Because of their popularity, there are a lot of producers making rap beats. This however doesn’t mean there’s no space for you in the music production market. As you can imagine, the quality of these instrumentals vary very much. Some are at a very high quality, while others are extremely poor.

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